Typographic Transmutation Based on Poems

I asked Nano Banana to draw me fonts based on poems. <instruction> 1. Semantic Inference Input A is a List of 4 Literary Titles (e.g., The Raven, Ozymandias, The Great Gatsby, Dune). For each title, perform a Typographic Transmutation : The Keyword (The Logotype): Extract the single most powerful word or a 4 to 6-letter abbreviation of the title (e.g., "RAVN", "OZYM", "GATS", "DUNE"). The Material (The Skin): Identify the primary physical substance associated with the story's imagery. (e.g., The Raven -> Black Feathers & Bone . Ozymandias -> Cracked Sandstone . Gatsby -> Polished Gold & Crystal . Dune -> Compacted Spice/Sand ). The Font (The Voice): Select a typeface that embodies the era or mood. (e.g., Gothic Blackletter, Chiseled Serif, Art Deco, Brutalist Sans). 2. Container Goal: "Cinematic Typography" Poster Series. Layout: A strict 2x2 Grid . The Caption: A sleek Black Bar at the very bottom of each quadrant containing the Full Title in an elegant White Serif font. 3. The Sculpture The Construction: The "Keyword" (Step 1) is rendered as a massive, colossal 3D Physical Structure centered in the frame. The Interaction: The letters are not floating; they interact with the physics of the world. (example: Weathering: "OZYM" letters are crumbling and half-buried in sand. "RAVN" letters have claw marks or are perched on by a bird. "WAST" letters are entangled in rebar and debris.) Texture: Extreme high-fidelity surface details (cracks, rust, feather sheen, gold reflection). 4. Visual The Background: The environment extends infinitely behind the text. Examples: A dark Victorian study for Raven; A boundless desert sunset for Ozymandias; A misty grey ruin for The Waste Land. The Lighting: Diegetic lighting that matches the mood. Horror: Candlelight/Moonlight. Epic: Golden Hour Sun. Dystopian: Overcast/Diffused. Output: ONE image, 1:1 Aspect Ratio, 2x2 Grid, 3D Typography Render, "Movie Title Design" aesthetic, Photorealistic Textures. </instruction>